About
We are Kata Kovács and Tom O’Doherty. We have worked as a collaborative duo since 2011; we live and work in Berlin, Germany.
Our work combines elements of durational and time-based art, minimalist movement, and electroacoustic music and sound. We are interested in processes, sounds, and movements that come close to imperceptibility, and the ways in which this material can be transformed through repetition, patterning, layering, and archiving.
We have exhibited and presented work at Los Angeles County Museum of Art, California; Serralves Museum, Porto; National Museum of Contemporary Art (Chiado), Lisbon; Kunstquartier Bethanien, Berlin; Kunstkraftwerk, Leipzig; and Digital in Berlin’s Kiezsalon series, Berlin, among others. We have been recipients of the LACMA Art + Technology Award, and of the Projektförderung and Stipendienprogramm grants of the Musikfonds in Berlin.
Elsewhere online:
- Social media:
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- Other things:
- Minute/Year · Repatterning · Images
Recent events:
3.–16. February, 2025 | 366 Minutes Exhibition, artist talk | Center for the Arts and Olin Library, Wesleyan University, Middletown, Connecticut, USA Exhibition of data receipts from Minute/Year in 2024, with accompanying talk (on 3. February) about the work. Full details are available here. |
11.–15. September, 2024 | Woven All of Dream and Error Exhibition | Hošek Contemporary, Berlin, Germany Exhibition. Full details are available here. The exhibition was accompanied by a talk, “German Weapons, German Silence,” regarding German cultural complicity in the Gaza genocide. Full details here. |
5.–7. September, 2023 | Sound Campus Sound-art festival | Ars Electronica and Kunstuniversität Linz, Linz, Austria Excerpts from Minute/Year are included in Sound Campus, a sound-art festival co-presented by Ars Electronica and Kunstuniversität Linz. Full details available here. |
16.–21. June 2023 | Minute/Year: Seven Years Exhibition | Halfsister, Berlin, Germany Exhibition presenting the archive of recordings and images generated by Minute/Year from 2016 to 2022. Full details are available here. |
25. September, 2021 | Harvest Performance | Görlitzer Park, Berlin, Germany Site-specific performance presented as part of the Sound→Walk→Berlin series of events. |
Recent media, interviews, audio, press, and other items:
3. September, 2021 | Minute/Year (2020) Cassette | bb15 Limited-edition cassette released by bb15, created by Gabriela Gordillo and Sebastian Six. The tape is a sound collage of excerpts from the recordings made by Minute/Year throughout 2020, during the time when the work was installed in bb15. See full details here (including cover artwork images, launch event details, and full credits). Minute/Year 2020 by VariousDuring this period, incidental events and collaborations around the work took place at the gallery space, contributing to its layered archive of hums and drones. Listening back to these recordings, we discover a narrative of this passing time, that like memory, re-arranges into multiple readings. |
28. May, 2020 | Signal Tide — Two Passes Mix | Joel Ferree | Los Angeles County Museum of Art This mix was commissioned by Los Angeles County Museum of Art, as part of the LACMA@home series, and features a stereo iteration of the music used in the installation work Signal Tide. The mix is a collaboration with David Bryant and Drew Barnet. Full details and credits are available here. |
28. May, 2020 | Signal Tide Companion — An Interview with the Artists Interview | Joel Ferree | Los Angeles County Museum of Art Interview, by Joel Ferree (Program Director, Art + Technology Lab, LACMA) about Signal Tide, accompanying the release of Signal Tide — Two Passes. “[The LES-1] is a piece of space junk, that nonetheless seemed like it could be regarded poetically or metaphorically […] over time we honed this idea, based around this central point of a lonely traveller that has been orbiting the earth for many decades.” |
30. November, 2019 | Tagesspiegel Checkpoint Preview article | Thomas Wochnik | Der Tagesspiegel Preview, in German, of the presentation Minute/Year: Four Years, in grüntaler9 in November 2019, in the culture section of Der Tagesspiegel and in the Checkpoint newsletter. Apropos Arbeit und Zeit: Sogenannte „Durational Works“, also Dauer-Arbeiten, bezeichnen Kunst, die wesentlich von der bloßen Zeit lebt, über die sich ihre Herstellung oder Aufführungsdauer erstreckt. Die Klanginstallation „Minute/Year“ des Künstlerduos Kovács/O’Doherty zeichnet seit dem 1. Januar 2016 jeden Tag automatisch eine Minute akustisch auf. Jährlich wechselt zudem ihr Raum. Bei jeder neuen Aufnahme wird zugleich über Lautsprecher ein Echo aller vorgegangenen Tage abgespielt, das so in jede neue Aufnahme hinein klingt. |
20. May, 2019 | Space tone Interview | Lynn Kühl | gallerytalk.net Interview about Minute/Year, in German. Seit bereits vier Jahren nehmen die Künstler Kata Kovács und Tom O’Doherty täglich für die Installation Minute/Year eine Minute lang den Sound im Raum auf. Das künstlerische Experiment erschließt akustische Basisnoten, die Räume unterscheiden können. Ob diese Klänge wohl auch die Atmosphäre von Orten verändern? |
Recent texts, articles, essays, and talks:
10. June, 2024 | Woven All of Dream and Error: Hallucinations and Remnants Harley Aussoleil | Book | Estovers Editions Monograph book by Harley Aussoleil, reflecting on the thematic and conceptual frame offered by Woven All of Dream and Error, which was first presented at Hošek Contemporary in September 2024. (Estovers Editions 2024, 84 pages, 21 x 21cm). Woven All of Dream and Error began through a process of walking. Over the course of four years, Kata Kovács and Tom O’Doherty undertook a series of walks along the paths of now-disused railway routes in Berlin and Brandenburg, which they filmed as they walked. In these walks, they also carried portable speakers, playing the sound of machine-learning-generated audio of invented trains: sound that has been hallucinated by contemporary computational technology. The films on view are selected from the documentation of these walks. These films are explorations of traces left behind, cinematic studies of incisions in the land. They present two types of scenes. The first of these are forward-facing scenes, in constant motion, moving at a walking pace, following the traces of disappearing layers. The second are still, painterly scenes, in which a figure paces across the land, holding a speaker as they go, playing the strange and uncanny digitally-generated sounds. |
16. June, 2023 | Minute/Year: Seven Years Various | Book | Estovers Editions The accompanying book for the exhibition Minute/Year: Seven Years, with excerpts from texts by Agnė Auželytė, Annika Haas, Ana and Sophia Tabatadze, Gabriela Gordillo, Kassandra Valencia, and Jasmina Al-Qaisi. The works in the exhibition Minute/Year: Seven Years present excerpts from the archive generated by Minute/Year. However, beyond simply displaying serial remnants of a larger whole, they also attempt to reinterpret and reimagine this corpus in their own right. This archive can be considered as an incrementing accumulation of ghostly fragments. Through its sheer duration and magnitude, it resists attempts at direct observation. As such, any attempted excerpt is also a betrayal of the whole — a view that is more a glimpse than a gaze. |
15. September, 2022 | Looking at the moon, twice Gabriela Gordillo | Essay | Coven Berlin A poetic essay by Gabriela Gordillo, on the threads of connection between Minute/Year and her father’s practice of taking photographs of the moon. Both the moon and Minute/Year are part of other rhythms outside of themselves. The moon orchestrates tides, magnetic fields, and menstrual cycles; it visits many nights around the globe every twenty-four hours. Minute/Year listens to the sounds of nature, to urban environments, to indecipherable human language and humming machines. It computes from a Raspberry Pi, synchronizes with the internet, with digital platforms and with power supplies. |
8. July, 2020 | El presente suena, resuena Kassandra Valencia | Essay | Revista 404, Centro de Cultura Digital, Mexico Essay, in Spanish, by Kassandra Valencia about Minute/Year, as part of the Revista 404 essay series of the Centro de Cultura Digital, Mexico. Las restricciones que establecen lxs artistas al evento sonoro funcionan como una abertura fraccional desde la cual se observa el andar de la vibración sonora. La obra está en continuo desenvolvimiento y opera de manera relacional con otras fuerzas, con otros materiales oscilantes. |
28. May, 2020 | Signal Tide — Two Passes: A Special Audio Mix by Kovács/O’Doherty Joel Ferree | Blog post | LACMA Unframed blog, Los Angeles County Museum of Art Introduction to the Signal Tide — Two Passes audio mix, and accompanying interview about Signal Tide, published by Los Angeles County Museum of Art as part of the 2020 LACMA@home series. A few years ago LACMA’s Art + Technology Lab hosted a series of special music performances featuring a call and response with a live satellite. Titled Signal Tide, the work was developed to be a poetic reply to the erratic signals of LES-1, a defunct spacecraft that ceased to function in 1967 but unexpectedly started transmitting again in 2013. Signal Tide was essentially a sound and extraterrestrial radio installation, which combined the satellite’s wavering signal overhead with a special generative musical score rising up from a bed of speakers resting on the ground. |